My Visit to Paul Cézanne’s l’Estaque in Marseille
I’m up early, driving to l’Estaque. Heavy traffic along the Autoroute to Marseille, but not nearly what it will be during rush hour. I arrive around 7:45, with the sun just above the horizon.
Visiting Cézanne’s L’Estaque
I head first to Corbières at the eastern edge of the village. Cézanne explored and painted along the coast here, which in his day must have been almost completely undeveloped. A primitive road, footpaths, scattered houses, perhaps, but not much more.
It’s cold and shockingly clear. The mistral is kicking in, scouring the Gulf of Marseille and making exceptional views down the coast to the centre of the city. In the deep background, the Chaine de Marseille is brightly etched on the horizon, as are the islands off the coast.
The towering limestone forms that tumble down to the water at Corbières — the seaward faces of La Chaine de la Nerthe — are steep and imposing. From a distance, they look smooth and consistent. But, up close, they look like hastily poured concrete, a heavy, dense aggregate of white and beige stones of all dimensions and hues nestled down in a hardened white paste. It’s hard to believe that anything could grow from these rocky surfaces. But the Aleppo pines do, in fantastic, contorted forms. Their green, bright green fronds are stunning against the brilliant beige and white stone. Smaller plants of the garrigue thrive here as well, nestled down in the stingy niches of the rock. The recent rains have made all these living things brilliantly green.
Railroad viaducts supporting the tracks and trains heading west and north to Fos-Martigues, Istre, and Salon-de-Provence, and south to downtown Marseille, cut across the steep cliffs, appearing and then disappearing into the tunnels bored into the rocky faces. Their arching, horizontal forms create a stunning contrast to the vertical fall and sharpness of the cliffs. No wonder Cézanne and Braque were inspired to paint them. They are nearly sculptural as if the railroad architects and artisans were making art on a geologic scale.
Continue reading here for the original blog post “Going to l’Estaque” by Bro Adams.